<div dir="ltr" style=""><br /><br /><br /><br /><br /><div style="padding-left: 5px; margin-left: 5px; border-left-color: rgb(119, 119, 119); border-left-width: 3px; border-left-style: solid;">-----Original Message-----<br />Subject: Sunday Stills: What Does Nothing Look Like?<br />From: "National Geographic" <ngs@e.nationalgeographic.com><br />To: lfalen@turbonet.com<br />Date: 02/22/15 14:54:42<br /><br />




<title>National Geographic - Sunday Stills</title>
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<table width="600" align="center" style="margin: 0px;" bgcolor="#f3f4f6" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td height="3018" align="center" valign="top"><table width="600" bgcolor="#f3f4f6" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td height="3018" align="center" valign="top">
<br /><br /><br /><br /><br /><table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td width="243" align="left" valign="middle" style='color: rgb(40, 46, 85); line-height: 24px; padding-bottom: 10px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 21px; font-weight: bold;'><table border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td width="212">Sunday Stills</td></tr>
<tr><td height="70" align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 14px; font-weight: bold;'>ISSUE 34<br />Sunday, February 22, 2015</td></tr>
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<br /><br /><br /><table width="520" border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>PROOF</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYT&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">What Does Nothing Look Like?</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYT&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" style="padding-bottom: 12px; display: block;" alt="What Does Nothing Look Like" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_What_Does_Nothing.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'><span style="text-transform: uppercase;">Photograph by MURRAY FREDERICK</span></td></tr></tbody></table>
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<tbody><tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>The longest night of his life, photographer Murray Fredericks says, was spent on an ice cap in Greenland in March 2010. He had been dropped off by helicopter about ten days earlier to begin work on his Greenland Ice Project. After braving the minus 50 degree windchill alone, he got a call on his satellite phone. An expedition team passing within a couple of miles were being followed by two polar bears, who had since changed direction and were heading his way. “I got a call saying, ‘Get your gun ready, and don’t fall asleep,’” he remembers. And then a blizzard blew up, threatening to collapse his tent and clogging his gun with snow.</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYT&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYT&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>PROOF</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYU&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Picturing Love: The Stories Behind 8 Indelible Images</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYU&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" style="padding-bottom: 12px; display: block;" alt="Picturing Love" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_Picturing_Love.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'><span style="text-transform: uppercase;">PHOTOGRAPH BY GERD LUDWIG</span></td></tr></tbody></table>
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<tbody><tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>“Years ago on assignment for <i>National Geographic</i> magazine,” writes photographer Gerd Ludwig, “I traveled eastward on the Trans-Siberian Railroad, traversing the Ural Mountains. It was a time when U.S.-Russian relations were improving and Westerners were welcomed with open arms. The passengers on the train had been informed about my mission to photograph on the train and had been asked for their support. After a couple of days most passengers, many of them long-distance travelers like me, were quite used to the sight of me with my cameras. A couple that occupied the compartment next to me had always given me warm smiles, but we had not found a chance to talk. One day, on my way back to my compartment, through the closed compartment door, I could see them engaged in a lovely conversation. I assumed they possibly were newlyweds in love. I signaled them to please not move. For a short while, I became the proverbial fly on the wall, silently witnessing tender, flirty moments unfold in front of my camera. When I quietly left, they barely took notice. A day later the young man was gone, and an elderly couple occupied the compartment with the young lady. Only then did I learn that the couple I had photographed had just met on the train. I did not ask more … I wanted to believe in the fleeting moments of love I had seen through my camera. But was my impression real? I will never know.”</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYU&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYU&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYW&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Our Lonely Sun Is a Universal Exception</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYW&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="520" style="padding-bottom: 12px; display: block;" alt="Our Lonely Sun is a Universal Exception" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_Our_Lonely_Sun.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'><span style="text-transform: uppercase;">PHOTOGRAPH BY NRAO/AUI/NSF</span></td></tr></tbody></table>
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<tbody><tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>Astronomers have gotten their first good look at the beginnings of a quadruple-star system.<br /><br />The discovery could lead to a better understanding of why some stars, such as our sun, are loners, while many others are born into systems with two, three, or more stars.</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYW&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYW&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>VIDEO</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><span style="font-weight: bold;">Glow-in-the-Dark Mushrooms</span></td></tr>
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<table border="0" cellspacing="0" cellpadding="0"><tbody><tr align="center"><td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYA&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" style="padding-bottom: 27px; display: block;" alt="Life, Illuminated" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_BIOLUMINESCE_A.gif" border="0"></a></td></tr></tbody></table>
<table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><!--td align="right" valign="top" style="font-family:'minion-pro-display','Georgia','Times New Roman','Times', serif; font-size: 10px; font-weight:normal; color:#02093f; padding-bottom:27px;"><span style="text-transform:uppercase">PHOTOGRAPH BY LYNSEY ADDARIO</span></td>--></tr></tbody></table>
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<tbody><tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>The ability to make light—bioluminescence—is both commonplace and magical. Magical because of its glimmering, captivating beauty. Commonplace because many life-forms can do it. On land the most familiar examples are fireflies, flashing to attract mates on a warm summer night. But there are other luminous landlubbers, including glowworms, a snail, some millipedes. The array of such species was the subject of a recent <a style="color: rgb(2, 9, 63); text-decoration: underline;" href="http://ngm.nationalgeographic.com/2015/03/luminous-life/liittschwager-photography?utm_source=NatGeocom&utm_medium=Email&utm_content=pom_20150222&utm_campaign=Content" target="_blank"><i>National Geographic</i> feature story</a>.<br /><br />Among the more curious examples of this dazzling phenomenon are the more than 90 species of glow-in-the-dark fungi, including Brazilian “coconut flower” mushrooms. The light may lure insects that spread mushroom spores. But ecologists aren’t sure.<br /><br />“Right now, we’re not sure why the fungi bioluminesce. That’s what we’re trying to do right now, is figure out why,” says Hans Waldenmaier, a Ph.D. student at the University of São Paulo.<br /><br />“Fungi are at this special moment right now where the research is really beginning to progress, and we’re likely to figure out the mechanism within the next few years.”</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYA&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYA&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>NEWS</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">No Longer Neutral Observers</a></td></tr>
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<table border="0" cellspacing="0" cellpadding="0"><tbody><tr align="center"><td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" style="padding-bottom: 12px; display: block;" alt="No Longer Neutral Observers" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_No_Longer_Neutral_Observers.jpg" border="0"></a></td></tr></tbody></table>
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<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'><span style="text-transform: uppercase;">PHOTOGRAPH BY LYNSEY ADDARIO</span></td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>Growing up in a large, Italian-American family in Connecticut, Lynsey Addario had no idea that her job would one day take her to some of the most dangerous places in the world. But a trip to Argentina in her 20s opened her eyes to the wider world and made her curious to see more. As a photojournalist, she went on to cover war zones from Iraq to Syria to Afghanistan for numerous publications, including <i>National Geographic</i>, where she is one of our Women of Vision.<br /><br />“In my 20s and early 30s, I felt invincible,” Addario says. “I hadn’t lost friends. I hadn’t been kidnapped twice. Motherhood has made me realize that I need to stay alive. I have this tiny little person who’s depending on me. I’m more cautious. I don’t go right to the front line. I cover the same places and the same stories, but I try and stay back a little bit. But am I giving up the work? No! Will I give up the work? No!”</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>YOUR SHOT</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">We’re All Just Dreamers</a></td></tr>
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<table border="0" cellspacing="0" cellpadding="0"><tbody><tr align="center"><td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="520" style="padding-bottom: 12px; display: block;" alt="We're All Just Dreamers" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_We're_All_Just_A.png" border="0"></a></td></tr></tbody></table>
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<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'><span style="text-transform: uppercase;">PHOTOGRAPH BY DONATO DICAMILLO</span></td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>“We all have things that we want to do, but more often than not, life gets in the way,” writes Your Shot director Monica Corcoran, who edited the community’s latest assignment, entitled Someday. “What do you daydream about doing eventually? Maybe you want to make the leap to owning your own business or spending more time with your family. Perhaps you go to the beach every year for vacation, but you dream about moving there permanently.”<br /><br />In the photo above Your Shot contributor Donato DiCamillo captures his desire to one day have a family. “The body language [says] it all,” he writes. “One small towel is all they need as the father keeps his son nestled with such a closeness. Someday I wish to have a son of my own.”</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><span style="font-style: italic;">READ</span></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWYD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/arrow.gif" border="0"></a></td>
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<br /><br /><br /><br /><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGgSfwzaNLG6t434JAcGouvRh3hI6kB4cP2zdsIVXtpKX%3DSRSRDWAR&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" style="display: block;" alt="National Geographic Photo Workshop" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/contentlibrary/oldcontent/201502/sunday_stills/Sunday_Stills_20150222/20150222_National_Geographic_Photo_Workshop.jpg" border="0"></a><br />
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