<div dir="ltr" style=""><br /><br /><br /><br /><br /><div style="padding-left: 5px; margin-left: 5px; border-left-color: rgb(119, 119, 119); border-left-width: 3px; border-left-style: solid;">-----Original Message-----<br />Subject: [Spam 4.31] Sunday Stills: Nelson Mandela's Life and Times in Photographs<br />From: "National Geographic" <ngs@e.nationalgeographic.com><br />To: lfalen@turbonet.com<br />Date: 12/15/13 16:20:10<br /><br />
<title>National Geographic - Sunday Stills</title>
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<br /><br /><br /><br /><br /><table width="520" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td width="243" align="left" valign="middle" style='color: rgb(40, 46, 85); line-height: 24px; padding-bottom: 10px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 21px; font-weight: bold;'><table border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td width="212">Sunday Stills</td></tr>
<tr><td height="70" align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 14px; font-weight: bold;'>ISSUE 06<br />Sunday, December 15, 2013</td></tr>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>IN MEMORY</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAB&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Nelson Mandela’s Life and Times<br />in Photographs</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAB&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" height="398" style="padding-bottom: 12px; display: block;" alt="Nelson Mandela" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/mandela.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'>PHOTOGRAPH BY ROB CROESE, AP</td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>Nelson Mandela, the civil rights leader who rose from a small village in rural, apartheid-era South Africa to become the country’s first black president, died last Thursday at age 95. Mandela’s election in 1994 ended three centuries of European domination of indigenous African people of the region.<br />
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAB&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><em>LOOK</em></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAB&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/arrow.gif" border="0"></a></td>
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<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Brian Skerry Finds the<br />“Afghan Girl” Dolphin</a></td></tr>
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<tbody><tr><td align="center" valign="center"><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="389" height="551" style="padding-bottom: 12px; display: block;" alt="Brian Skerry Finds the ?Afghan Girl? Dolphin" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/dolphin.jpg" border="0"></a></td></tr>
<tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'>SEPTEMBER 1992 COVER OF <em>NATIONAL GEOGRAPHIC</em>
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<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>I often think of my work as a collection of moments in the sea. The wildlife photographs I make are the result of firing the shutter at a precise instant when an animal is captured in a blend of light, color, gesture, and grace. And though the resulting photo can be viewed for decades, the moment in which it was made remains a ghost—an apparition that quickly vanishes into the past. But such is the beauty of photography, the quest to preserve a moment in time and to tell a story with each frame.</td></tr>
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<td width="50"><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><em>READ</em></a></td>
<td width="158"><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAC&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>MUSINGS</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Mathias Depardon’s<br />Black Sea Postcards</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" height="479" style="padding-bottom: 12px; display: block;" alt="Black Sea" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/black_sea.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); line-height: 24px; padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'>MATHIAS DEPARDON, FROM “MUSINGS: MATHIAS DEPARDON’S POSTCARDS FROM THE SEA"</td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>After covering conflict, war zones, and natural disasters, some photojournalists can reach a burnout point. It’s not surprising that this often leads them to work on side projects that are, well, less heavy in nature.<br /><br />Mathias Depardon, a freelance photographer based in Istanbul, has worked in the midst of the conflict in Libya and the aftermath of flooding in India, but his most recent project, Black Sea Postcards, delves into the many cultural layers of the Black Sea region—made up of the coastal areas of Turkey, Georgia, Russia, Ukraine, Romania, and Bulgaria.</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><em>READ</em></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDAD&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>ARTIFACTS</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBR&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Photographer<br />Eivind H. Natvig</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBR&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" height="531" style="padding-bottom: 12px; display: block;" alt="Artifacts" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/artifacts.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); line-height: 24px; padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'>EIVIND H. NATVIG, FROM “ARTIFACTS: PHOTOGRAPHER EIVIND NATVIG”</td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>Collecting images around the world is just that—collecting. Long ago I stopped buying things while on the road; you just cannot when you spend months and years of your life traveling. A select few items are shown here, an even smaller selection join as travel companions. Some of these items are just simple tools to make life on the road easier or safer, while others have provided a sense of superstitious protection in hospital rooms and dodgy alleys.</td></tr>
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<td><a style='color: rgb(2, 9, 63); font-family: "minion-pro-display","Georgia","Times New Roman","Times",serif; font-weight: normal; text-decoration: underline;' href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBR&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><em>LOOK</em></a></td>
<td><a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBR&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="33" height="20" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/arrow.gif" border="0"></a></td>
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<tbody><tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 22px; padding-bottom: 3px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 12px; font-weight: bold;'>125 YEARS</td></tr>
<tr><td align="left" valign="top" style='color: rgb(40, 46, 85); line-height: 32px; letter-spacing: -1px; padding-bottom: 20px; font-family: "Helvetica Neue",Helvetica,Arial,"Nimbus Sans L",sans-serif; font-size: 31px; font-weight: bold;'><a style="color: rgb(2, 9, 63); text-decoration: none;" href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBS&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank">Explore: Winter</a></td></tr>
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<a href="https://e.nationalgeographic.com/pub/cc?_ri_=X0Gzc2X%3DWQpglLjHJlYQGlLzaAf3LvzelBgSql9tpIfzfzche6zePMKUgFRVXtpKX%3DYBDBS&_ei_=EjS5CWNLHV7_2L862fQhJb0xpykqowxhJrfXIk_RIrIyDuS03sbFw7Ihnn4-mYbNNoJnhtShghOA." target="_blank"><img width="600" height="408" style="padding-bottom: 12px; display: block;" alt="Explore: Winter" src="https://responsys.hs.llnwd.net/i5/responsysimages/natgeo/201312/Sunday_Stills_20131215_NonMembers/winter.jpg" border="0"></a><table width="520" border="0" cellspacing="0" cellpadding="0">
<tbody><tr><td align="right" valign="top" style='color: rgb(2, 9, 63); padding-bottom: 27px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 10px; font-weight: normal;'>PHOTOGRAPH BY THOMAS J. ABERCROMBIE</td></tr>
<tr><td align="left" valign="top" style='color: rgb(2, 9, 63); line-height: 26px; padding-bottom: 35px; font-family: "minion-pro-display","Georgia","Times New Roman","Times", serif; font-size: 15px; font-weight: normal;'>Cold weather doesn’t have to be frightful. National Geographic photo archivist Bill Bonner rounds up some black-and-white photographs that showcase winter in America.</td></tr>
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