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<FONT FACE="Verdana"><B>This week at the Kenworthy Performing Arts Centre-<BR>
<BR>
</B><FONT COLOR="#800000"><H2>m-pact in concert<BR>
</H2></FONT><B>Friday, September 30<BR>
7:30 PM<BR>
</B>Tickets available at <I>BookPeople of Moscow</I> or by calling 208-882-4127<BR>
$12/adult, $6/student with ID<BR>
<B>(more information below)<BR>
</B></FONT><FONT FACE="Courier"><TT><BR>
</TT></FONT><FONT COLOR="#800000"><FONT FACE="Verdana"><H2>Wild Parrots of Telegraph Hill (G)<BR>
</H2></FONT></FONT><FONT FACE="Verdana"><B>Saturday & Sunday, October 1 & 2<BR>
4:45 & 7:00 pm<BR>
</B>$5/adults, $2/children under 13<BR>
<B>(see Review below)<BR>
* * *<BR>
<BR>
</B><H2>m-pact in concert<BR>
<BR>
</H2>Don't miss the a cappella group, "m-pact" live at the Kenworthy Performing Arts Centre on <B>Friday, September 30 at 7:30 PM</B>. Audiences of all ages will enjoy the energetic performance on the historic downtown stage.<BR>
<BR>
The San Francisco Chronicle calls m-pact "one of the best pop-jazz vocal groups in the world."<BR>
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m-pact's sophisticated sound weaves together the swing and style of The Manhattan Transfer, the hip jazz licks of Take 6, the percussive power of Stomp, the funk and drive of Earth, Wind & Fire, the moves and soul of Motown, and the brass bite of the Harry Connick Jr. Big Band. All created by the human voice alone.<BR>
<BR>
m-pact has shared the stage with an impressive array of international recording artists ranging from Sheryl Crow, Liza Minnelli, Ray Charles, Natalie Cole, Kenny Loggins, Bobby McFerrin and Kenny G to The Maynard Ferguson Band. A self-contained "band without instruments," the group has won rave reviews across four continents and continues to dazzle audiences everywhere.<BR>
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Tickets for the show are $6 for children and students and $12 for adults and are on sale at Bookpeople, or by calling 208-882-4127. A $.50 per ticket charge will be added to MC or Visa orders.<BR>
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This event is made possible with the generous support of Avista Utilities, Moscow Food Co-op, and Eastside Marketplace and is funded in part by the Idaho Commission on the Arts, the National Endowment for the Arts, and the Western States Arts Federation.<BR>
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For more information visit www.kenworthy.org or www.m-pact.com or call 208-882-4127.<BR>
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Next week at the Kenworthy Performing Arts Centre . . .<BR>
</B><BR>
<B>Enron: The Smartest Guys in the Room</B> (not rated)<BR>
<B>Friday, October 7, 7:00 pm<BR>
</B>Panel discussion to follow film<BR>
<B>October 8 & 9<BR>
4:30 & 7:00 pm<BR>
</B>Tickets $5/adult, $2/child under 13<BR>
<BR>
Coming in October: Mad Hot Ballroom, Turtles can Fly, March of the Penguins<BR>
Check KPAC’s web site for dates & times. <FONT COLOR="#0000FF"><U>http://www.kenworthy.org<BR>
<BR>
</U></FONT><B>Regular Movie prices</B>: $5 adult, $2 child under 13 <BR>
KFS passes accepted year-round for Sunday movies!<BR>
<B>* * *<BR>
<BR>
Fall 2005 at the Kenworthy Performing Arts Centre<BR>
</B><BR>
<B>Darol Anger Republic of Strings in concert<BR>
Thursday, October 27<BR>
7:30 PM<BR>
</B>Tickets $16/adult, $12/senior or student<BR>
<BR>
"Darol Anger is the quintessential improvising violinist," says Dr. Billy Tayler of CBS Sunday Morning. Eric Fidler of the Associated Press says, "Darol Anger has been obliterating musical borders for years, but never to better effect. ... the Darol Anger Fiddle Ensemble creates rich, lusciously textured, complex and quite beautiful music."<BR>
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Renowned for his versatility and depth, Darol Anger has helped mastermind the evolution of the American string band with his groundbreaking groups The Turtle Island String Quartet, Fiddlers 4, Psychograss, Newgrange, Montreux, and the David Grisman Quintet. Michael John Simmons of Amazon.com says, "Harmonically complex, rhythmically rich arrangements. You might call this improvised Afro-Scandivanian Irish old-time string band music, but it would be equally true, and much simpler, to just say they play great music."<BR>
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The concert is sponsored by local businesses Advantage America Mortgage and Hayden, Ross & Co. and is funded in part by the Idaho Commission on the Arts and the National Endowment for the Arts.<BR>
<BR>
Tickets for the concert go on sale October 1 at BookPeople of Moscow.<BR>
Tickets are $16 for adults and $12 for seniors, children or students with ID and can be charged by phone to 208-882-4127. There is a $.50 per ticket fee on all charge card orders.<BR>
<BR>
For more information, visit www.kenworthy.org or call 208-882-4127.<BR>
<B>* * *<BR>
</B><FONT COLOR="#0000FF"><U><BR>
</U></FONT>Moscow Community Theatre presents<BR>
<B>Noodlehead<BR>
</B>Original musical by Lisa Kliger<BR>
November 3 - 5, 10 - 12 at 7:30 PM<BR>
November 6 & 12 at 2:00 PM<BR>
$11/adult, $9/student or senior<BR>
<BR>
<BR>
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This week’s review-<BR>
</B><BR>
<FONT COLOR="#800000"><H2>Wild Parrots of Telegraph Hill<BR>
</H2></FONT><BR>
Documentary Film<BR>
Directed by Judy Irving<BR>
Running time: 1 hour, 23 minutes<BR>
Rated G<BR>
<BR>
<B><I><U>As reviewed by Ed Park writing for The Village Voice<BR>
</U></I></B><BR>
An intimate companion piece to 2002's epic, globe-spanning Winged Migration, Judy Irving's The Wild Parrots of Telegraph Hill tracks a flock of cherry-headed conures, several of whom emerge with distinct personalities. It's also a portrait of Mark Bittner, the quasi-Saint Francis of San Francisco, who monitors, feeds, and—simply put—loves these green-fledged creatures, while rigorously insisting on their essential freedom. Bittner came to the city on the Beat-hippie cusp with dreams of being a musician; marching to his own drum, he still seems to exist on air and complimentary Italian carbohydrates. <BR>
<BR>
Several sharp jolts give the documentary its dramatic shape, and one episode in particular, caught with a neighbor's lens, will make you gasp with grief. The conures' shadowy origins are explored, but pale next to the fundamental mysteries of the friendship between man and bird. The fate of the flock is, necessarily, left up in the air, and though there's a quite surprising resolution for the humans in this film, we're free to imagine the fate of the conures outside the frame—cryptically darting en masse to some unknown goal, their bodies the same green as the leaves on the trees. <BR>
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<B><I><U>As reviewed by Roger Ebert writing for the Chicago Sun-Times<BR>
</U></I></B><BR>
Mark Bittner is calm, intelligent, confiding, wise and well-spoken. You would be happy to count him as your friend. He has not worked in 30 years, lived on the street for 15 of them, and in recent years devoted his life to getting to know 45 wild parrots who formed a flock in San Francisco. It takes a lot of time to get to know 45 wild parrots as individuals, but as he points out, "I have all the time in the world."<BR>
<BR>
"The Wild Parrots of Telegraph Hill," a documentary about Bittner and his birds by Judy Irving, is making its way around the country as an underground phenomenon, fueled by fans who urge their friends to see it. <BR>
<BR>
It is not the film you think it is going to be. You walk in expecting some kind of North Beach weirdo and his wild-eyed parrot theories, and you walk out still feeling a little melancholy over the plight of Connor, the only blue-crowned conure in a flock of red-crowned conures.<BR>
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Connor had a mate, Bittner tells us, but the mate died. Now Connor hangs around with the other parrots but seems lonely and depressed, a blue-crowned widower who can sometimes get nasty with the other birds, but comes to the defense of weak or sick birds when the flock picks on them. Picasso and Sophie, both red-crowned parrots, are a couple until Picasso disappears; Bittner begins to hope that maybe Connor and Sophie will start to date and produce some purple-headed babies.<BR>
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Nobody knows how the parrots, all born in the wild and imported from South America, escaped captivity, found each other and started their flock. Irving has several North Beach residents recite the usual urban legends (they were released by an eccentric old lady, a bird truck overturned, etc). No matter. They live and thrive.<BR>
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Oddly, most bird-lovers seem to resent trespassers such as wild parrots, on the grounds that they are outside their native range. That they are here through no fault of their own, that they survive and thrive and are intelligent and beautiful birds, is enough for Mark Bittner, and by the end of the film that's enough for us, too.<BR>
<BR>
He gives us brief biographies of some of the birds. Sometimes he takes them into his home when they're sick or injured, but after they recover they all want to return to the wild -- except for Mingus, who keeps trying to get back into the house. Their biggest enemies are viruses and hawks. The flock always has a hawk lookout posted, and has devised other hawk-avoidance tactics, of which the most ingenious is to fly behind a hawk, which can attack only straight ahead and has a wider turning-radius than parrots.<BR>
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As Bittner tends and feeds his flock, visitors to the wooded area on Telegraph Hill want to categorize him. Is he a scientist? Paid by the city? What's his story? His story is, he finds the parrots fascinating and lovable. He quotes Gary Snider: "If you want to study nature, start right where you are." Can he live like this forever? He is about 50, in good health, with a long red ponytail. He says he decided not to cut his hair until he gets a girlfriend. Whether either Connor the blue-crowned conure or Bittner the red-headed birdman finds a girlfriend, I will leave for you to discover. <BR>
<BR>
<BR>
<B><I><U>As reviewed by Marrit Ingman writing for the Austin (Texas) Chronicle<BR>
</U></I></B><BR>
Could this summer’s breakout film star be Mark Bittner, a graying San Francisco hippie with no girlfriend, no apparent means of income, and no abdominal six-pack? He’s a regular guy in every sense of the term, and perhaps even less estimable at first glance, certainly among the feisty young go-getters in his scenic bayfront neighborhood. His fledgling career as a musician foundered years ago; he was homeless for more than a decade and lived on the roof of a hotel. Yet he proves himself a hero in this mellow but entertaining and engaging documentary, which examines his relationship with a flock of wild parrots (one of two in the city, it turns out) that populate the trees around Bittner’s rent-free crash pad. <BR>
<BR>
Bittner spent a year getting the birds to come to him, and the film likewise takes its time. Over the course of its first two acts, we meet some of the 45 birds – a downtrodden and mateless blue-crowned conure, a pair of cherryheads, a banded former house pet that nibbles Bittner’s shoes. Just as she’s getting us comfortable, Irving draws the net with a sudden reversal of fortune: Red-tailed hawks are circling the flock, and Bittner’s otherwise infinitely patient landlords announce the renovation of his building. He’ll have to move, and the birds will be on their own. The film invites such an emotional investment in its subjects – human and avian alike – that there is a real sense of loss when Bittner packs up his hot plate and his Gary Snyder books; there is real, old-fashioned movie drama in the fate awaiting the birds. <BR>
<BR>
Thus the film reveals itself to be far more than an urban curiosity piece; its subject is compassion itself, the noblest of human possibilities. It asks difficult but worthwhile questions: How do people make their way in a world that is often intolerant of eccentrics and encourages conformity? What kind of relationship should human beings have with nature? (Irving gives time to the viewpoint that Bittner’s interference with the birds is not in their best interest, nor in the interest of native species.) And, interestingly, it depicts an average person’s journey into a world of dedicated scientific inquiry, which makes it a fine choice for all-ages.<BR>
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<I>Film reviews researched and edited by Peter A. Haggart<BR>
</I>* * *<BR>
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<B><I>Kenworthy Performing Arts Centre<BR>
</I>508 S. Main Street, Moscow, Idaho<BR>
</B>For more information, call 208-882-4127 or visit http://www.kenworthy.org<BR>
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Sign up for this weekly email on events and movies at the Kenworthy by logging onto our website <BR>
<FONT COLOR="#0000FF"><U>http://www.kenworthy.org<BR>
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</U></FONT>~~~~~~~~~~~~~~~~~~~~~~~~~~~<BR>
PAMELA PALMER, <B>Volunteer<BR>
</B>Mailto:ppalmer@moscow.com<BR>
Film and Events Committee <BR>
Kenworthy Performing Arts Centre<BR>
<BR>
http://www.kenworthy.org<BR>
To speak with a KPAC staff member, <BR>
call (208) 882-4127<BR>
Mailto:kpac@moscow.com<BR>
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